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“Without a Sable:”

“Without a Sable:”

The “Park” Project
Recruitment of a single audience member for a participatory performance/installation, 2010. In order to qualify for the piece, the viewer is asked to fill out an application form. After an arbitrary selection process, I will customize a piece based on the information entered in the survey.
Photo by Jay Van Dam

The “Park” Project

Recruitment of a single audience member for a participatory performance/installation, 2010. In order to qualify for the piece, the viewer is asked to fill out an application form. After an arbitrary selection process, I will customize a piece based on the information entered in the survey.

Photo by Jay Van Dam


“Manifesto (for the Waterfall Soloist)”
graphite on post-it note, 2010

“Manifesto (for the Waterfall Soloist)”

graphite on post-it note, 2010

“Prototype for Annual Remix of a Cave Recording”
Sculpture/installation, 2010. book with secret compartment, bonsai tree in a candle stick, matchbox, used matches and pen with bite marks on night stand covered in textural spray paint.

“Prototype for Annual Remix of a Cave Recording”

Sculpture/installation, 2010. book with secret compartment, bonsai tree in a candle stick, matchbox, used matches and pen with bite marks on night stand covered in textural spray paint.


“Close your eyes. Give me your hand, darling. Do you feel my heart beating? Do you understand? Do you feel the same? Or am I only dreaming? Is this burning an eternal flame?”
(detail)

“Close your eyes. Give me your hand, darling. Do you feel my heart beating? Do you understand? Do you feel the same? Or am I only dreaming? Is this burning an eternal flame?”

(detail)

“Close your eyes. Give me your hand, darling. Do you feel my heart beating? Do you understand? Do you feel the same? Or am I only dreaming? Is this burning an eternal flame?”
Installation, 2009. Brick fireplace with fog machine (bricks, mortar, layered white wall paint and spray paint, pallet, industrial enamel, fog machine, electrical chords, iron casted socks, various fireplace tools)

“Close your eyes. Give me your hand, darling. Do you feel my heart beating? Do you understand? Do you feel the same? Or am I only dreaming? Is this burning an eternal flame?”

Installation, 2009. Brick fireplace with fog machine (bricks, mortar, layered white wall paint and spray paint, pallet, industrial enamel, fog machine, electrical chords, iron casted socks, various fireplace tools)

“Favorite Arriving Just in Time”
documentation of a performance, 2010. unspecified client saved from a collision with an invisible train.

“Favorite Arriving Just in Time”

documentation of a performance, 2010. unspecified client saved from a collision with an invisible train.

“The Siren Song of Beowald”
(detail)
photo by Patrick Benjamin

“The Siren Song of Beowald”

(detail)

photo by Patrick Benjamin

“The Siren Song of Beowald”
performance, 2010. final part of an altered parade. various materials, ca. 30 min
photo by Patrick Benjamin

“The Siren Song of Beowald”

performance, 2010. final part of an altered parade. various materials, ca. 30 min

photo by Patrick Benjamin

“Kitchen of the Anchor Hotel”
(detail)

“Kitchen of the Anchor Hotel”

(detail)

“Kitchen at the Anchor Hotel”
Installation, 2009. movable walls in locked position, black wall paint, nails, party banner of a sunrise/sunset, treadmill, sand.

“Kitchen at the Anchor Hotel”

Installation, 2009. movable walls in locked position, black wall paint, nails, party banner of a sunrise/sunset, treadmill, sand.

“Anon”
Installation, 2009. bronze casted ducks, lamp, feathers, plaster sculpture, fan, sheets from a dinner party (stained with blood, red wine, cream, orange juice, coffee, green tea, coca-cola and grease) 

“Anon”

Installation, 2009. bronze casted ducks, lamp, feathers, plaster sculpture, fan, sheets from a dinner party (stained with blood, red wine, cream, orange juice, coffee, green tea, coca-cola and grease) 

“Omellet Code of Conduct”
installation, 2009. wooden graveyard, open graves with the most prominent now-living contemporary artists according to http://www.artfacts.net/ , open bar, celebratory lightning arranged as a grid pattern, bartender, fog, sand

“Omellet Code of Conduct”

installation, 2009. wooden graveyard, open graves with the most prominent now-living contemporary artists according to http://www.artfacts.net/ , open bar, celebratory lightning arranged as a grid pattern, bartender, fog, sand

“Tied to the astral train-tracks of before and later on. “
(detail)

photo by David Velasco

“Tied to the astral train-tracks of before and later on. “

(detail)

photo by David Velasco

“Tied to the astral train-tracks of before and later on. “
(detail)
photo by Paul Patterson

“Tied to the astral train-tracks of before and later on. “

(detail)

photo by Paul Patterson

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